Many residents in Englewood often feel enraged, disappointed and upset about the way the community is portrayed in the media and the present conditions of the community.
Several residents living in Greater Englewood decided to take matters into their own hands and formed the Resident Association of Greater Englewood, better known as R.A.G.E. "It's exciting to be around fellow Englewood Residents who truly care about the future of Englewood," says Aja Mac, Englewood Resident and R.A.G.E member.
R.A.G.E is a newly formed resident-funded and resident-led association that aims to mobilize people and resources to force a change in the community by breaking down barriers to communication and promoting positivity through solution-based problem solving. Members of R.A.G.E reside in all six wards that makeup the neighborhood and work each day to improve conditions in Englewood. They are homeowners, stakeholders, business owners, professionals, students, parents, residents and concerned citizens vying against the stereotypes that often stigmatize Englewood.
Several issues are at the forefront of the minds of R.A.G.E members and the most relevant issue R.A.G.E is focusing on is the redistricting process and youth development. R.A.G.E essentially wants to redraw the boundaries of the neighborhood and seeks to have at least one ward office in the community and at most three aldermanic representatives in the near future.
In the beginning of 2011 R.A.G.E hosted three aldermanic candidate forums for the six alderman and current candidates running for office in one of six wards. These forums allowed residents to meet with current and potential leaders looking to serve a portion of Englewood. The forums were created to give the candidates as well as the incumbents the chance to hear the needs of the community and share their platform on what their goals are for Englewood.
When asked about the future of R.A.G.E, Phillip Sipka, Englewood Resident and R.A.G.E co-member said,"I hope R.A.G.E continues to be a source of empowerment for residents that is grassroots driven."
When R.A.G.E is not hosting forums, they meet monthly to enhance youth development, solve problems in the community, inform and educate the fellow residents on the latest issues affecting the community. R.A.G.E is focused on representing the good in Englewood.
R.A.G.E is determined to shed light on the amazing people, programs, organizations and businesses in Englewood, early this year co-founder Aysha Butler have made appearances on The Sanita Jackson Show on WVON 1690 AM, The Munir Muhammad Show on CAN-TV CH. 25 and First Business Chicago on WCIU. Butler was also spotlighted in an article by Time Out Chicago.
Looking for something to do in the Englewood Community? Tired of nothing positive and constructive for your child to indulge in besides sporting events, camps and summer schools to attend?
Think again! There is something for teens between the ages of 12-19 to do and it includes being involved in the next installment of Docs and Dialogue.
The purpose of Docs and Dialogue is to empower youth by allowing them to critique documentaries dealing with social issues, stereotypes, race-related issues and gender exploitation, all while enjoying a safe space off the streets of Englewood.
Why is this important for the youth? Butler exclaims, "It's a way to teach out-of-the classroom concepts and its a way to educate and evaluate the consciousness of our youth in Englewood."
photo credits: http://sofreshsaturdays.vpweb.com/
Every month Docs and Dialogue is screened in various locations throughout Englewood. The next series will be August 21, 2010 at the Hamilton Culture Center located at 513 w. 72nd Street, from 3pm-5pm.
The event is free to public and for more information about Docs and Dialogue visit http://sofreshsaturdays.vpweb.com/default.html.
Sampling and trading jokes are a common occurrence that famous comedians have to deal with; they also deal with the annoying hassle of their jokes being stolen.
Joke stealing appears to be occurring more frequently and lately it is happening in Chicago. “It’s survival of the fittest,” says South Side Comedian Kevin White, who has had several jokes stolen and later used on national TV. It may be survival of the fittest; but also stealing jokes can affect a comedian’s own creditability as well as their professionalism.
Some comedians who are victims of theft can shrug it off and continue writing new and even better jokes, while others suffer setbacks. Comedians may spend months writing jokes and perfecting them, but to later have them stolen can be emotionally upsetting, professionally frustrating, and offensive.
Chicago Stand-Up Comedian Damon Williams referred to theft in the comedy world as great minds thinking alike and having the same joke is just a coincidence. But Williams adds, “There is a fine line between stealing and sampling. As a comedian you often run into a situation where you have the idea but another comedian has already fleshed that idea into a joke.”
Radio host and stand-up comedian Brian Babylon disagrees. He says he seen his fair share of “Carlos Mencia’s” in the Chicago comedy world, referring to the largely publicized accusations of Mencia plagiarizing jokes from other comedians. Most famously, popular stand-up comedian and UFC announcer Joe Rogan confronted Mencia on stage about his alleged plagiarism. George Lopez, of “The George Lopez Show,” has also made accusations of Mencia stealing his material.
What does this say about the world of comedy? About Chicago Comedians?
Does joke stealing prevent local comedians from making it big? “This is a business,” says Babylon who believes a comedian’s jokes is their property. He feels that it is not unreasonable to assume that a comedian can become financially affected when theft occurs.
For comedians who steal, “They don’t really think about the integrity side of it, because they just don’t feel like they are stealing anything. They just feel like they are doing the joke better than the comic who first put it out there,” says Mary Lindsey, Bronzeville comedy club owner of Joke and Notes. “It happens all the time,” say Lindsey.
Lindsey says ninety percent of the time the audience do not recognize the joke is stolen unless they are heavily involved in the comedy business. Lindsey attributes joking stealing in Chicago, to the over saturation of comedy in the city and every person believing they can easily become comedians.
Burt Haas, comedy club owner of Zanies, attributes some of the theft to the demands of the entertainment industry. Celebrity comedians are under constant pressure to produce jokes faster than they can handle and sometimes the only recourse is stealing.
When asked directly about their thoughts on joking stealing the Chicago Comedians responded with mixed feelings.
“It’s desperation and I’m aggressively going after that person. You’re an intellectual thief.” and “You will become notorious for stealing,” says Babylon. Williams adds, if a comedian has their material stolen they should not, “dwell on it.” He believes one stolen joke does not affect comedians from making it out of Chicago or establishing a name in the comedy business, he advises local comedians who are victims of theft to keep writing.
White initially felt upset when his jokes were stolen and also felt he could not make it big if his jokes were making it to TV before he did. Later he was flattered by the theft of his jokes, because it shows he is a good writer and his jokes are good enough to make it on to national TV.
Many comedians reach a point in their career where they are desperate, under pressure or are on stage performing and need a joke to save them from getting heckled. In the culture of comedy, many concepts like grasping, reaching, and stealing seems to be a natural occurrence.
Are there rules in the comedy world? What can be done about joking stealing?
Williams says the universal rule in comedy is if two comedians have the same joke then the first person to perform the joke on TV is the one that validates the joke. Timing is most important in the comedy culture because comedians have to constantly write material that is funny enough to perform and funny enough to make it on national TV.
Sometimes the best way to protect their material from being stolen is to perform it live on TV, and even that is not always good enough. “Getting the strongest protection possible is the first step toward getting their work protected,” says Exavier Pope, Chicago Entertainment Attorney.
Pope says there are many steps a comedian can take to protect their material, which first includes getting all work copyrighted by the U.S Copyright Office. Copyright law protects any expressible forms of ideas or information that are substantive, discrete, and fixed in a medium which includes jokes and other written material.
Once a copyright has been obtained, the next step would be an order to “cease and desist” to the party committing the infringement, then move towards establishing the extent of the infringement and seeking monetary damages. “The entertainment industry can be cutthroat at times” but Pope says the rule of thumb is, “First in time, first in line.”
Urban Punk is the newest street wear line created by husband and wife team, Fred and Fallon Jones. Since the launch in March 2009, they have become a hit in the Chicagoland area. Urban Punk was established after the two creative personas formed the idea because they were fed up with the stereotypes and violent acts that were happening in Englewood. Finding unique apparel to wear to house parties was also an issue in which Fred encountered. The raw and edgy types of clothes in the Urban Punk collection evoke a different way of expressing oneself opposed to guns and drugs. The logos consist of multi-colored lettering, with the initials U and P intermingling. “It is what it is,” says Fallon of Urban Punk. It can be different for each person who wears it, with the meaning of their clothing subjective to one’s own thoughts. Their latest designs show a baby holding up the middle finger. Fallon adds this expression can mean many things, including “F” society right now especially since the nation is under so much stress. “If the message offends you then, Urban Punk is not for you,” says Fallon.
Who are they? Fred, a tall overwhelming friendly individual and his beautiful wife Fallon are the owners of this urban movement and are both native southsiders. Fred and Fallon wanted to create something that helps and has ties to the Southside of Chicago. Stereotypically, people envision the Southside full of gang bangers and drug lords. How ever this is not the case with these two individuals who do not fit this stereotype. They are extremely intelligent and eloquent. They embodied, “the get fresh attitude and straight forward bluntness of the clothing,” as Fallon likes to describe the concept of Urban Punk.
While speaking with them you could not help but notice their attire, Fallon dressed in hot pink leopard leggings, black bangles and a black Urban Punk T-Shirt. Fred rocked an inspired theme “Kid & Play” high top fade, high top sneakers coupled with a black Urban Punk hoodie to complete the ensemble. Throughout their hard work and creative vision, UP has grown from a local grassroots movement to now catching the eye of some very influential people within the music industry. The patriarch of the funk music genre, George Clinton is a fan of their designs and fashion forward clothing line. In addition, famous Chicagoans are beginning to take notice like Phil G and Rhymefest.
“We are not your cookie cutter line,” says Fred. Urban Punk has a fall look book coming out and they are making efforts to remain timeless. The Jones’ say they are willing to work hard despite the fact money is tight, all efforts are going into what they believe is a great opportunity. For more information on Urban Punk visit @ http://urbanpunkchicago.blogspot.com/ and to purchase their t-shirts visit Leaders 1354 (located 672 N. Wells Chicago, IL).
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Pilfered Punch lines in the Chicago Comedy Scene
By RBaldwin · Comments (0)Posted July 2009
Sampling and trading jokes are a common occurrence that famous comedians have to deal with; they also deal with the annoying hassle of their jokes being stolen.
Joke stealing appears to be occurring more frequently and lately it is happening in Chicago. “It’s survival of the fittest,” says South Side Comedian Kevin White, who has had several jokes stolen and later used on national TV. It may be survival of the fittest; but also stealing jokes can affect a comedian’s own creditability as well as their professionalism.
Some comedians who are victims of theft can shrug it off and continue writing new and even better jokes, while others suffer setbacks. Comedians may spend months writing jokes and perfecting them, but to later have them stolen can be emotionally upsetting, professionally frustrating, and offensive.
Chicago Stand-Up Comedian Damon Williams referred to theft in the comedy world as great minds thinking alike and having the same joke is just a coincidence. But Williams adds, “There is a fine line between stealing and sampling. As a comedian you often run into a situation where you have the idea but another comedian has already fleshed that idea into a joke.”
Radio host and stand-up comedian Brian Babylon disagrees. He says he seen his fair share of “Carlos Mencia’s” in the Chicago comedy world, referring to the largely publicized accusations of Mencia plagiarizing jokes from other comedians. Most famously, popular stand-up comedian and UFC announcer Joe Rogan confronted Mencia on stage about his alleged plagiarism. George Lopez, of “The George Lopez Show,” has also made accusations of Mencia stealing his material.
What does this say about the world of comedy? About Chicago Comedians?
Does joke stealing prevent local comedians from making it big? “This is a business,” says Babylon who believes a comedian’s jokes is their property. He feels that it is not unreasonable to assume that a comedian can become financially affected when theft occurs.
For comedians who steal, “They don’t really think about the integrity side of it, because they just don’t feel like they are stealing anything. They just feel like they are doing the joke better than the comic who first put it out there,” says Mary Lindsey, Bronzeville comedy club owner of Joke and Notes. “It happens all the time,” say Lindsey.
Lindsey says ninety percent of the time the audience do not recognize the joke is stolen unless they are heavily involved in the comedy business. Lindsey attributes joking stealing in Chicago, to the over saturation of comedy in the city and every person believing they can easily become comedians.
Burt Haas, comedy club owner of Zanies, attributes some of the theft to the demands of the entertainment industry. Celebrity comedians are under constant pressure to produce jokes faster than they can handle and sometimes the only recourse is stealing.
When asked directly about their thoughts on joking stealing the Chicago Comedians responded with mixed feelings.
“It’s desperation and I’m aggressively going after that person. You’re an intellectual thief.” and “You will become notorious for stealing,” says Babylon. Williams adds, if a comedian has their material stolen they should not, “dwell on it.” He believes one stolen joke does not affect comedians from making it out of Chicago or establishing a name in the comedy business, he advises local comedians who are victims of theft to keep writing.
White initially felt upset when his jokes were stolen and also felt he could not make it big if his jokes were making it to TV before he did. Later he was flattered by the theft of his jokes, because it shows he is a good writer and his jokes are good enough to make it on to national TV.
Many comedians reach a point in their career where they are desperate, under pressure or are on stage performing and need a joke to save them from getting heckled. In the culture of comedy, many concepts like grasping, reaching, and stealing seems to be a natural occurrence.
Are there rules in the comedy world? What can be done about joking stealing?
Williams says the universal rule in comedy is if two comedians have the same joke then the first person to perform the joke on TV is the one that validates the joke. Timing is most important in the comedy culture because comedians have to constantly write material that is funny enough to perform and funny enough to make it on national TV.
Sometimes the best way to protect their material from being stolen is to perform it live on TV, and even that is not always good enough. “Getting the strongest protection possible is the first step toward getting their work protected,” says Exavier Pope, Chicago Entertainment Attorney.
Pope says there are many steps a comedian can take to protect their material, which first includes getting all work copyrighted by the U.S Copyright Office. Copyright law protects any expressible forms of ideas or information that are substantive, discrete, and fixed in a medium which includes jokes and other written material.
Once a copyright has been obtained, the next step would be an order to “cease and desist” to the party committing the infringement, then move towards establishing the extent of the infringement and seeking monetary damages. “The entertainment industry can be cutthroat at times” but Pope says the rule of thumb is, “First in time, first in line.”